My recordings
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Tropos: Shadow Music (Endectomorph Music – March 2023)
Phillip Golub, piano Mario Layne Fabrizio, percussion Laila Smith, voice ¸Recorded at Wellspring Sound on October 5, 2019 Recorded by Matt Hayes Mixed by Ted Reichman Mastered by Patrick McGee Cover Art and Design by Mario Layne Fabrizio Filters (Greyfade – October 2022)
Phillip Golub, solo piano produced by phillip golub & joseph branciforte engineered by ryan beveridge mixed by rasmus zwicki mastered by joseph branciforte at greyfade studio vinyl cut by scott hull at masterdisk |
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Committee to Save Christmas (self-release - December 2020)
Fender Rhodes & Casiotone 401: Phillip Golub Produced by Phillip Golub Album art drawing by Mario Layne Fabrizio Album art colors by Mario Layne Fabrizio & Phillip Golub |
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Tropos: Axioms // 75ab (Biophilia Records - May 2020)
Piano, Percussion, Co-Leader: Phillip Golub Drums, Percussion, Co-Leader: Mario Layne Fabrizio Voice: Laila Smith Alto Saxophone: Raef Sengupta Bass: Zachary Lavine Recorded Oct 5 & 6, 2019 at Wellspring Sound Engineers: Matt Hayes, Ryan Gallagher, Matt Swanton Mixing: Ted Reichman Mastering: Jon Rosenberg Album art: Mario Layne Fabrizio Produced by Ted Reichman, Phillip Golub, and Mario Layne Fabrizio |
Selected concert works
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Home Song (November 2020)
commissioned by Long Beach Opera for 2020 Songbook Premiered Nov 15, 2020 in livestream concert Voices: Kelly Guerra (mezzo-soprano) Eden Girma (music starts at 0:29 in video) |
Text: Editorial, The Financial Times, April 20, 2020 [excerpt] The Black Death is often credited with transforming labour relations in Europe. Peasants, now scarce, could bargain for better terms and conditions; wages started to rise as feudal lords competed for workers. Thankfully, a much lower mortality rate means such a transformation is unlikely to follow coronavirus. Instead, policymakers must prevent a stunning rise in unemployment from scarring a generation with lower living standards.
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Amtrak 71 by Phillip Golub (2017-18)
Sarah Thornblade (violin) Genevieve Lee (piano) recorded live April 28, 2018 on the Hear Now Music Festival in Venice, CA |
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The Necessity of What is Unnecessary
Performed by EXAUDI; conducted by James Weeks March 3, 2017; Milton Court Concert Hall Text by Phillip Golub after Abul ʿAla Al-Maʿarri (973-1057) |
We are breaths of Earth
Bodies of Dust
Quake with a doubt uneasy
A blind man reads his fingers’ ends
Quake with a doubt uneasy
Blind, reading their fingers’ ends
Will you excuse me
For Coughing
Comet-dust and humankind are kin
Bodies of Dust
Quake with a doubt uneasy
A blind man reads his fingers’ ends
Quake with a doubt uneasy
Blind, reading their fingers’ ends
Will you excuse me
For Coughing
Comet-dust and humankind are kin
Other projects
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Layale Chaker & The Sarafand Ensemble: Inner Rhyme (In A Circle Records - 2019)
Layale Chaker, violin Jake Charkey, cello Phillip Golub, piano Nick Dunston, bass Adam Maalouf, percussion Recorded at The Rift Studio, Brooklyn, New York Recording & Producing: Radwan Ghazi Moumneh Mixing: Radwan Ghazi Moumneh at Hotel2Tango, Montreal Mastering: Harris Newman, Grey Market Mastering Illustration, visual conception, design: Joseph Kai |