My recordings
Abiding Memory (Berthold Records & Endectomorph Music – 2024)
Phillip Golub, piano/rhodes/harpsichord Alec Goldfarb, electric guitar Daniel Hass, cello Sam Minaie, bass Vicente Atria, drums All compositions by Phillip Golub (Phildog Music, ASCAP) Produced by Phillip Golub, Vicente Atria, and Alec Goldfarb Recorded by David Stoller at Samurai Hotel Recording Studio in Astoria, NY Mixed by Vicente Atria Mastered by Sam Minaie at Birdfood Sound Tropos: Shadow Music (Endectomorph Music – March 2023)
Phillip Golub, piano Mario Layne Fabrizio, percussion Laila Smith, voice ¸Recorded at Wellspring Sound on October 5, 2019 Recorded by Matt Hayes Mixed by Ted Reichman Mastered by Patrick McGee Cover Art and Design by Mario Layne Fabrizio Filters (Greyfade – October 2022)
Phillip Golub, solo piano produced by phillip golub & joseph branciforte engineered by ryan beveridge mixed by rasmus zwicki mastered by joseph branciforte at greyfade studio vinyl cut by scott hull at masterdisk |
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Committee to Save Christmas (self-release - December 2020)
Fender Rhodes & Casiotone 401: Phillip Golub Produced by Phillip Golub Album art drawing by Mario Layne Fabrizio Album art colors by Mario Layne Fabrizio & Phillip Golub |
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Tropos: Axioms // 75ab (Biophilia Records - May 2020)
Piano, Percussion, Co-Leader: Phillip Golub Drums, Percussion, Co-Leader: Mario Layne Fabrizio Voice: Laila Smith Alto Saxophone: Raef Sengupta Bass: Zachary Lavine Recorded Oct 5 & 6, 2019 at Wellspring Sound Engineers: Matt Hayes, Ryan Gallagher, Matt Swanton Mixing: Ted Reichman Mastering: Jon Rosenberg Album art: Mario Layne Fabrizio Produced by Ted Reichman, Phillip Golub, and Mario Layne Fabrizio |
Selected concert works
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Home Song (November 2020)
commissioned by Long Beach Opera for 2020 Songbook Premiered Nov 15, 2020 in livestream concert Voices: Kelly Guerra (mezzo-soprano) Eden Girma (music starts at 0:29 in video) |
Text: Editorial, The Financial Times, April 20, 2020 [excerpt] The Black Death is often credited with transforming labour relations in Europe. Peasants, now scarce, could bargain for better terms and conditions; wages started to rise as feudal lords competed for workers. Thankfully, a much lower mortality rate means such a transformation is unlikely to follow coronavirus. Instead, policymakers must prevent a stunning rise in unemployment from scarring a generation with lower living standards.
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Amtrak 71 by Phillip Golub (2017-18)
Sarah Thornblade (violin) Genevieve Lee (piano) recorded live April 28, 2018 on the Hear Now Music Festival in Venice, CA |
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The Necessity of What is Unnecessary
Performed by EXAUDI; conducted by James Weeks March 3, 2017; Milton Court Concert Hall Text by Phillip Golub after Abul ʿAla Al-Maʿarri (973-1057) |
We are breaths of Earth
Bodies of Dust
Quake with a doubt uneasy
A blind man reads his fingers’ ends
Quake with a doubt uneasy
Blind, reading their fingers’ ends
Will you excuse me
For Coughing
Comet-dust and humankind are kin
Bodies of Dust
Quake with a doubt uneasy
A blind man reads his fingers’ ends
Quake with a doubt uneasy
Blind, reading their fingers’ ends
Will you excuse me
For Coughing
Comet-dust and humankind are kin